Lake not in the right place? Don’t worry, your trees will move with it.

Use geometry or simulation-driven data (like water level, erosion, or painted attributes) to control where your scatter lives.

Whether it's shifting lakes, flowing rivers, or custom data channels, the scatter stays locked in where it should be; no rebaking, no drama. Basically, it adapts like it's got a brain.

Why scatter the whole world when you're only filming five feet of it?

Camera Mask only shows instances inside the frame, so your viewport stays smooth, your build times stay sane, and your GPU doesn’t file a complaint.

Want trees in the lowlands, shrubs on the ridges, and alpine grass near the peak? Done.

This thing just filters scatter by elevation like it grew up in the mountains. You pick the height, it does the rest, no rocket science required.

Plants follow the sun, and now, so does your scatter.

Click a face and BOOM mask to all surfaces facing the same way.

Perfect for sunny slopes, cliffside ferns, or avoiding vertical surfaces like your scatter has basic instincts.

Need a trail through a forest?

A worn-down footpath in grass?

^{Or an overgrown ruin with only certain parts cleared?}

Draw a curve and the mask handles the rest, inside the line, outside the line, wherever you want the scatter to behave. No painting, no stress, just curves doing the dirty work.

Bizarre, faceless mannequin jumping through your scene? Flatten the grass like it’s got weight.

Character walking? Have the grass part naturally, then bounce back like it never happened.

It’s the “don’t grow here” button with physics, minus the simulation hassle.

Want taller grass in the valleys and short scrub on the slopes?

Easy. Use any of your existing masks to scale your scatter, so things shrink, grow, fade out, or bulk up exactly where they should.

It’s not placement; it’s visual storytelling through size.

Tired of grass growing under your rocks like it doesn’t understand object permanence?

This mask clears space around your objects, no manual weight painting, no weird geometry tricks.

Drop a boulder, grass gets out of the way. Like it should’ve all along.

Because your scene shouldn’t look like a static diorama.

Add subtle sway to grass, trees, or whatever you're scattering; it’s like adding life with a checkbox.

No nodes, no simulation, just turn it on and your scene’s got vibes.

Trees growing sideways off cliffs? Nah.

‍
Slope Masks keep scatter on stable ground — grass on flats, rocks on slopes, trees where they belong.
Because gravity’s a thing.

Want patches of flowers, corn in rows, or moss only in the shady spots? Use a texture.

Throw down a noise, or bring in an image map, your scatter listens. Way easier than painting weights and way more fun than trying to convince some node setup to cooperate.